.
Ejira is
a corps member, who is in an abusive relationship with Jolomi. She hitches a
lift at the airport, discussing with Makinde Esho on their way into Abuja town.
Esho, a widower, receives his baptism of fire in a bid to meet the Minister of
Lands, but Ejira succours him, becoming the companion he needs in a city, where
he is lonely.
The
audience is not spoon-fed. Tribalism, nepotism, favouritism, superstition,
bribery and intimidation are subtly showcased in this movie written by Tunde
Babalola, the writer of Guinness’ Critical Assignment.
The
Meeting is worlds apart from Maami and even the ambitious flick, Last Flight to
Abuja, which were also written by Babalola. It is lovely that the producers let
Sunrise Daily coincide with the time the laundryman brought Esho’s clothes.
That joke on the laundry, though it may be lost on a foreigner, is apt. The
symbolism between the juice and sucking of account is great. Listening to the
comparison of Lagos and Abuja is exciting.
Rita
Dominic’s portrayal of Clara is probably her best role till date, though one is
yet to see Shattered, the movie that gave her the best actress award (in a
leading role) in AMMA, 2012. Her trademark dressing, hairstyle and mannerisms
are funny. Her spoken Igbo (the Mbaise dialect) is enthralling. Femi Jacobs is
also believable as Makinde Esho, though he showed a great deal of culture
shock. Yet, we were not told that he recently moved back to Nigeria since he
apparently thinks that offering a bribe is more offensive that receiving same.
He is obviously a prude.
He asks Ejira whether the dancers at the club
were dancing or having sex. He maintains that the lady could get pregnant,
dancing the way she was dancing. Then, there is the toast to people, dancing
like they are having a combined cardiac arrest. Majority of the other cast,
mostly experienced actors, are equally convincing in their roles. In fact, the
movie connects with the audience to the extent that those in the cinema hall,
where yours truly saw the film, urge Esho to ‘drop’ something (give bribe) on
his fourth day at the office.
Someone
in the audience even observes that Makinde is rigid as he argues with Ejira,
when she suggests that he buys something for the receptionist. The Meeting
visits a number of social ills without haranguing. Why is Ejira dating a man
who cannot pronounce her name well? He calls her Ejiro or Ejura! The curse
sequence is very humorous, considering that Jolomi appears fearless and even
looks like a pugilist. The subtitle was well done though it was missing in that
scene, where Clara was praising ‘Rinwa (Bolarinwa – Nse Ikpe-Etim).
Actual
places and occasions mentioned and shown in The Meeting are misrepresented.
Ejira says she works in the FCT (Federal Capital Territory) office. Where is
that? There is the FCT Ministry/the FCTA (Federal Capital Territory
Administration). Ejira says she is an ‘alumnus’ of the University of Abuja – a
Civil Engineering graduate. Why didn’t anyone tell her that a female graduate
is an alumna since the screenwriters obviously made a mistake?
Secondly,
if the University of Abuja now has a Faculty of Engineering, have they produced
the first set of graduates? The producers could have easily verified the
courses offered by that university.
Then,
that one-man show during the graduation of Makinde’s daughter clearly negates
proceedings during convocations. The deans and provosts of faculties and
colleges respectively present their graduating students to the Vice Chancellor
during convocations for induction as alumni of their alma mater while the
registrar conducts proceedings.
Though
Okwo’s directorial authority is not in doubt, she should have paid more
attention to Ejiofor (Ejira). Ejira tells Jolomi, ‘You are not matured enough
to handle me’. She also tells Makinde ‘I have not had a friend as matured and
caring as you before’. The word is ‘mature’.
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